By this point, reality is entirely included in a detail.
The greenness, in this very green region, is the constant,
inevitable and powerful subject but at the beginning
of the 1970s they become true and proper Periods.
The pictures are completely green or mainly green.
There is still an unforegoable romantic vein,
but the possession of reality becomes almost scientific. He
wants to depict man, a man who enters nature which he is interwoven
with, man who is always alone listening to himself.
They are wide ranging compositions in which Lucatello tends
towards an open and broad research, an image which passes
traditional limits to open itself up to a dimension where
matter floats, just like in cosmic space.