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| 1980s: Thinking nature |
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| A critic wrote that each phase of Lucatello’s
painting justified the one before. Indeed, it is so: one must
just catch hold of the string that knots itself during this
fascinating adventure, and then one realises that the gap between
one ‘period’ and another is just apparent. The artist’s
dialog with nature and his psychological research into the relationship
between man and nature are continuous and coherent. Even though
these paintings could be put down as non–representational
abstractionism, they are really just “patches” drenched
in light; as we always see them, that move in space with deliberate
timing. Of course, they are lyrical too. It’s poetry. |
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