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| Late 1960s / Early 1970s: The sunsets and the
suns |
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| The red–hot skies of the Autumns
in Friuli, the black earths, invaded with light reflected on
the Tagliamento… A few critics, Diego Valeri, or Franco
Solmi, or Licio Damiani spoke about an almost mystic vision,
certainly of great spirituality in the works of Lucatello. If
with this they wanted to underline the feeling of ‘sacredness
of nature’, to which the artist surrendered himself, the
remark was inevitable and Lucatello accepted it unaffectedly,
without showing any kind of contradiction, despite his laicity.
Even though his nature was secular, as a boy he had studied
the great, traditional venetian art, an experience often lived
in the suggestive shadows of the churches, and thus this ‘spirituality’
had become second nature. |
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